For
'Resurrecting the obsolete' in September 2012 my modus operandi was to try to retain an open mind as I
walked around the site, listening, recording, taking photographs and simply
enjoying the experience. I brought my existing interests:
- Post-industrial landscapes
- Exploring moments in time, being
‘present’
- Thresholds and spaces betwixt and
between
and
approaches:
- Retracing steps
- Design direct embodied experience
- Solitary vs. collective
- Making use of what is there
- The particular effectiveness of
sound
and found
myself initially drawn to signage, personal effects and inscriptions that gave
insights into the the former Spode workforce. As I explored tentative routes
began to form for a group walk, taking participants from one sonic environment
to another.
For
’Topographies of the Obsolete’ March 2013 I
returned with recording equipment and the intention of effecting a
temporary repair of the works bell. This I recorded from various parts of the
site.
I’d been put
in contact with local archivist Ray Johnson (from the Staffordshire Film
Archive) with whom I spent a couple of highly productive hours, as well as one of the key members of Airspace gallery, Anna Francis. Meeting her, Glen and Andy provided a cultural dimension that
was previously missing for me.
The bus tour
of Bradwell woods, Etruria, Gladstone and Burslem was also significant, making
the place more comprehensible as a city. To develop this, and to begin to
address the second strand of my project I performed several walks, to Cobridge,
along the canal towpath to Westport Lake, back to Spode via Burslem and Hanley
Park, to the Garden Festival site, and finally to Harecastle tunnel.
Overall I am
pleased to have overcome my initial rush of naieve excitement regarding the
site and, through having now worked there a second time and for a longer
period, I feel I am better-placed to produce a mature response.
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